Tag Archives: Touring
#Touring
© Joana Rodrigues / “Timber”, by Roberto Olivan, interpreted by Joana Couto, João Cardoso/Ilan Gratini, Lara Serpi, Liliana Garcia, Liliana Oliveira and Ricardo Machado
Even having the good fortune to be based in the wonderful city of Porto, Instável tries to take the projects it creates and/or supports to tour beyond it, both nationally and internationally.
Depois da estreia, em fevereiro deste ano, Juliana Fernandes e Victor Gomes levam a sua criação até Aveiro.
Rubble King introduz um curto período de atenção, uma criatura investigadora do arquétipo. Uma entidade numa sandbox, um local de informação ilimitada, um circuito excessivamente produtivo à procura de arquétipos com que se alimentar. Vários estados através da mudança de atenção e esquivando-se da conclusão, um ridículo racional.
BOWND focuses its research on movement from the universe of Boundaries (individual boundaries). Own, Bond (connection), Bound (limit and leap) are key words on a path towards the construction of the limits of the human being and towards a clearer awareness and expression of who we are and who we are not, discovered only in relationship with the other.
One or two bodies, six at most. It's a long yesterday is an exercise in desire, fracture and multiplication. In this project, the creators are moved by the "personal and intimate purpose of working on the condition of twin sisters (...) as a research tool to reflect on the potential of an imprecise body because it is multiple.
TIMBER is a journey into the depths of our existence, a visit to every corner that we failed to visit due to fear, ignorance or abandonment of ourselves. A personal disconnection from what unites us to our unique and authentic nature.
One or two bodies, six at most. It's a long yesterday is an exercise in desire, fracture and multiplication. In this project, the creators are moved by the "personal and intimate purpose of working on the condition of twin sisters (...) as a research tool to reflect on the potential of an imprecise body because it is multiple.
Em cena, uma personagem para duas intérpretes que vão invocando memórias, medos e inseguranças, em diálogo surdo entre si. O interior e o exterior, a queda e o salto, o privado e o público, tudo embrulhado em canções de embalar. Em cena dois corpos que não se cansam de tentar. Dois corpos que sabem que por vezes é preciso reaprender a viver, e até reaprender a respirar.
Depois da estreia com duas casas cheias na comemoração do 90º aniversário do Rivoli, o espetáculo de Helder Seabra para a Instável faz-se à estrada. Em "Lowlands", oito intérpretes "visitam o mundo de sombra da existência, de histórias internas que se desdobram para além da linguagem e da palavra".
Memories and dreams resonate in the box of time, where the past and the future do not always succeed each other in that order. By water, by fire, by hands. The body, mutable matter, from the languid seduction to the catastrophe of the shard. Everything in black and red. As in roulette, bodies come into play.
“Je t’aime” is a piece that puts the empathetic body and the loving relationship in evidence. Dance as an exchange of energy between two bodies. A ritual as the end point of a relationship. A moment of catharsis for two. How to build and coexist without losing its natural and essential individuality?