Tag Archives: Touring
#Touring
© Joana Rodrigues / “Timber”, by Roberto Olivan, interpreted by Joana Couto, João Cardoso/Ilan Gratini, Lara Serpi, Liliana Garcia, Liliana Oliveira and Ricardo Machado
Even having the good fortune to be based in the wonderful city of Porto, Instável tries to take the projects it creates and/or supports to tour beyond it, both nationally and internationally.
The game is played with your eyes closed to switch off the violence of unattainable ideals of beauty, representations and preconceived ways associated with femininity. Connecting with the authorship of their own body, the performers.
One or two bodies, six at most. It's a long yesterday is an exercise in desire, fracture and multiplication.
Normality returns quickly and sanity is not at risk, just turn the other way and snuggle back into your own soft and fragrant conceptions. How many layers does a dream have? Where does one person's dream end and another's dream begin? Where is the border between the real and the surreal?
1. Hurt, Touched, Grievous, Sad, Plangent, Sensitive, Half Rotten, Broken; 2. Psychophysiological function that consists of experiencing a certain type of sensation; (...)
In A SENSE OF the audience is invited to co-create a space, where collective power and dreaming are used as modes of protest.
ЯΛЯΛ is a stage piece for five performers, based on the experience of collective celebration as a space for the expansion, exaltation, and transformation of the body. Rhythm, dance, and sound construct a sonic and luminous environment where bodies traverse liminal states, between wakefulness and vertigo.
Rubble King introduces a short attention span, an investigative creature of the archetype. An entity in a sandbox, a place of unlimited information, an excessively productive circuit looking for archetypes to feed on. Various states through shifting attention and dodging the conclusion, a rational ridicule.
When we think of sound, the first image is that of invisible waves traveling through the air, captured by our ears and interpreted by our brains. But beyond its auditory dimension, sound has weight, movement and strength. Sound has a story in itself and the body incessantly searches for a story.
Memories and dreams resonate in the box of time, where the past and the future do not always succeed each other in that order. By water, by fire, by hands. The body, mutable matter, from the languid seduction to the catastrophe of the shard. Everything in black and red. As in roulette, bodies come into play.
Krakatoa, emerges as the political need to scenically address a social occupation: breaking the public silence around suicide.