Tag Archives: Touring
#Touring
© Joana Rodrigues / “Timber”, by Roberto Olivan, interpreted by Joana Couto, João Cardoso/Ilan Gratini, Lara Serpi, Liliana Garcia, Liliana Oliveira and Ricardo Machado
Even having the good fortune to be based in the wonderful city of Porto, Instável tries to take the projects it creates and/or supports to tour beyond it, both nationally and internationally.
Krakatoa, emerges as the political need to scenically address a social occupation: breaking the public silence around suicide.
Rubble King introduces a short attention span, an investigative creature of the archetype. An entity in a sandbox, a place of unlimited information, an excessively productive circuit looking for archetypes to feed on. Various states through shifting attention and dodging the conclusion, a rational ridicule.
When we think of sound, the first image is that of invisible waves traveling through the air, captured by our ears and interpreted by our brains. But beyond its auditory dimension, sound has weight, movement and strength. Sound has a story in itself and the body incessantly searches for a story.
An area where the land is close to or below sea level is called the lowlands. Lowlands also refers to Freud's theory, which likens the mind to an iceberg—it floats with one-seventh of its volume above water, the only visible part.
Creating an immersive and speculative atmosphere, the audience is invited to place itself. It is not a presentation in space but a presentation of space in permanent development: fleeting and expansive.
Normality returns quickly and sanity is not at risk, just turn the other way and snuggle back into your own soft and fragrant conceptions. How many layers does a dream have? Where does one person's dream end and another's dream begin? Where is the border between the real and the surreal?
Memories and dreams resonate in the box of time, where the past and the future do not always succeed each other in that order. By water, by fire, by hands. The body, mutable matter, from the languid seduction to the catastrophe of the shard. Everything in black and red. As in roulette, bodies come into play.
“Nova refutação do tempo” é uma criação multidisciplinar, onde a fotografia e a dança habitam o mesmo espaço. Onde a imagem não existe sem movimento e movimento não existe sem imagem. Criamos uma performance feita de fragmentos, onde reinventamos um corpo, mas também o espaço em que esse mesmo corpo se transforma.
I remove myself from this pile of earth and huge stones, I dig out my hand, followed by my arm, my leg, until my entire body is exposed. I look in the mirror and look for transparency, but there is a lot of dust, scratches, and traces of pebbles. I am full of strata, of layers.
1. Hurt, Touched, Grievous, Sad, Plangent, Sensitive, Half Rotten, Broken; 2. Psychophysiological function that consists of experiencing a certain type of sensation; (...)