The game is played with your eyes closed to switch off the violence of unattainable ideals of beauty, representations and preconceived ways associated with femininity. Connecting with the authorship of their own body, the performers.
One or two bodies, six at most. It's a long yesterday is an exercise in desire, fracture and multiplication.
Normality returns quickly and sanity is not at risk, just turn the other way and snuggle back into your own soft and fragrant conceptions. How many layers does a dream have? Where does one person's dream end and another's dream begin? Where is the border between the real and the surreal?
1. Hurt, Touched, Grievous, Sad, Plangent, Sensitive, Half Rotten, Broken; 2. Psychophysiological function that consists of experiencing a certain type of sensation; (...)
In A SENSE OF the audience is invited to co-create a space, where collective power and dreaming are used as modes of protest.
Rubble King introduces a short attention span, an investigative creature of the archetype. An entity in a sandbox, a place of unlimited information, an excessively productive circuit looking for archetypes to feed on. Various states through shifting attention and dodging the conclusion, a rational ridicule.
Krakatoa, emerges as the political need to scenically address a social occupation: breaking the public silence around suicide.
FINAL GIRL emerged from an invitation by dancer Rina Marques to clown and director Rui Paixão to direct a dance solo.
Amidst spectres of so-called 'hereditary burnout', nome de solteira dissects the everyday in a reflection on unpaid labour and the assumed role of women.
“Nova refutação do tempo” é uma criação multidisciplinar, onde a fotografia e a dança habitam o mesmo espaço. Onde a imagem não existe sem movimento e movimento não existe sem imagem. Criamos uma performance feita de fragmentos, onde reinventamos um corpo, mas também o espaço em que esse mesmo corpo se transforma.
