The game is played with your eyes closed to switch off the violence of unattainable ideals of beauty, representations and preconceived ways associated with femininity. Connecting with the authorship of their own body, the performers.
Normality returns quickly and sanity is not at risk, just turn the other way and snuggle back into your own soft and fragrant conceptions. How many layers does a dream have? Where does one person's dream end and another's dream begin? Where is the border between the real and the surreal?
1. Hurt, Touched, Grievous, Sad, Plangent, Sensitive, Half Rotten, Broken; 2. Psychophysiological function that consists of experiencing a certain type of sensation; (...)
In A SENSE OF the audience is invited to co-create a space, where collective power and dreaming are used as modes of protest.
One or two bodies, six at most. It's a long yesterday is an exercise in desire, fracture and multiplication.
Choreographing the invisible, destroy the cycles: now you see me, now you don't, you disappear inside me, I disappear inside you - you who are seeing me. We find in-between spaces: un-looking, un-formatting, projecting desires, nightmares, dust.
Rubble King introduces a short attention span, an investigative creature of the archetype. An entity in a sandbox, a place of unlimited information, an excessively productive circuit looking for archetypes to feed on. Various states through shifting attention and dodging the conclusion, a rational ridicule.
On stage, a character for two interpreters who invoke memories, fears and insecurities, in a deaf dialogue with each other. The inside and the outside, the fall and the jump, the private and the public, all wrapped up in lullabies. On stage, two bodies that never tire of trying. Two bodies that know that sometimes you have to relearn how to live, and even relearn how to breathe.
Krakatoa, emerges as the political need to scenically address a social occupation: breaking the public silence around suicide.
FINAL GIRL emerged from an invitation by dancer Rina Marques to clown and director Rui Paixão to direct a dance solo.
