On stage, a character for two interpreters who invoke memories, fears and insecurities, in a deaf dialogue with each other. The inside and the outside, the fall and the jump, the private and the public, all wrapped up in lullabies. On stage, two bodies that never tire of trying. Two bodies that know that sometimes you have to relearn how to live, and even relearn how to breathe.
Elegia is a choreographic project that is inspired by the homonymous literary genre to explore the autobiographical body and its intersections with the unrest of today's world.
What does it mean to inhabit a space? What does the habitability of a space mean? And uninhabitability? On stage, a dancer explores these questions through movement, weaving her lines in space.
No Face is a dance solo about gender-based violence, centered on survivor recovery, dealing with the truth, finding safety and communication.
Pâro ou o Belo Abismo highlights a burst of power at the crossroads of imbalance. Moving from the stagnation of time, gazing into the deep depression of the void, one tries the impossible again.
In the lecture-performance, Emi Koyama Passou Aqui, this great elaboration by Koyama is revisited, undoing some misconceptions and clichés that still persist about transfeminism.
Amidst repetitions, gestures, breathing and beating, the creator shares her concerns as a woman, fighting for all those who are there and those who wish to be there.
HIDE TO SEEK intends to think of the mask as a crystallization of an expression, state of mind or (identity) but also as a possibility of (dis)identification for the emergence of a distinct corporeality.
The second collaboration between Juliana Fernandes and Victor Gomes aims to lead the public to question the reasons for the intrinsic and often dogmatic conventions attached to these same themes.
Partindo da ideia de transgressão, “Trespass” procura encontrar o chão comum e ao mesmo tempo a polaridade humana entre o “bem” e o “mal”, explorando formas de humanizar o demoníaco e visceralizar o Humano. Procura o conflito e a paz, a sedução e o grotesco, a perfeição e o erro.
