Palcos Instáveis is a project to encourage emerging creation in contemporary dance. The selected proposals benefit from a creative grant, residence space, artistic support, and presentation at the Teatro Campo Alegre.
Elegia is a choreographic project that is inspired by the homonymous literary genre to explore the autobiographical body and its intersections with the unrest of today's world.
What does it mean to inhabit a space? What does the habitability of a space mean? And uninhabitability? On stage, a dancer explores these questions through movement, weaving her lines in space.
No Face is a dance solo about gender-based violence, centered on survivor recovery, dealing with the truth, finding safety and communication.
Pâro ou o Belo Abismo highlights a burst of power at the crossroads of imbalance. Moving from the stagnation of time, gazing into the deep depression of the void, one tries the impossible again.
In the lecture-performance, Emi Koyama Passou Aqui, this great elaboration by Koyama is revisited, undoing some misconceptions and clichés that still persist about transfeminism.
Amidst repetitions, gestures, breathing and beating, the creator shares her concerns as a woman, fighting for all those who are there and those who wish to be there.
HIDE TO SEEK intends to think of the mask as a crystallization of an expression, state of mind or (identity) but also as a possibility of (dis)identification for the emergence of a distinct corporeality.
The second collaboration between Juliana Fernandes and Victor Gomes aims to lead the public to question the reasons for the intrinsic and often dogmatic conventions attached to these same themes.
Partindo da ideia de transgressão, “Trespass” procura encontrar o chão comum e ao mesmo tempo a polaridade humana entre o “bem” e o “mal”, explorando formas de humanizar o demoníaco e visceralizar o Humano. Procura o conflito e a paz, a sedução e o grotesco, a perfeição e o erro.
