Conto Preto is a choreographic work that intertwines the spiritualities of Candomblé with the powerful identity of ballroom culture, creating a space for evocation, celebration, and resistance of Black and queer bodies.
Conto Preto is a choreographic work that intertwines the spiritualities of Candomblé with the powerful identity of ballroom culture, creating a space for evocation, celebration, and resistance of Black and queer bodies.
Conto Preto is a choreographic work that intertwines the spiritualities of Candomblé with the powerful identity of ballroom culture, creating a space for evocation, celebration, and resistance of Black and queer bodies.
Conto Preto is a choreographic work that intertwines the spiritualities of Candomblé with the powerful identity of ballroom culture, creating a space for evocation, celebration, and resistance of Black and queer bodies.
SLUMBER PARTY: HEARTBREAK EDITION is a performance disguised both as a sleepover and a collective emotional purge.
Conto Preto is a choreographic work that intertwines the spiritualities of Candomblé with the powerful identity of ballroom culture, creating a space for evocation, celebration, and resistance of Black and queer bodies.
I'd like to dance the same way you park your car is a performance about the political body, a choreographic essay on imagining a utopian body who inhabits the dystopia. A sequence of attempts, failures, and interrupted gestures.
Choreographing the invisible, destroy the cycles: now you see me, now you don't, you disappear inside me, I disappear inside you - you who are seeing me. We find in-between spaces: un-looking, un-formatting, projecting desires, nightmares, dust.
"Somewhere | in a faeric mutation" is a performative, interdisciplinary, and process-based project that intersects gesture, installation, and drawing.
On stage, a character for two interpreters who invoke memories, fears and insecurities, in a deaf dialogue with each other. The inside and the outside, the fall and the jump, the private and the public, all wrapped up in lullabies. On stage, two bodies that never tire of trying. Two bodies that know that sometimes you have to relearn how to live, and even relearn how to breathe.
