

© Joana Rodrigues \ Masha Pyatkova, na sua criação B…issues, apresentada na
Mostra de Jovens Criadores 2019
INSTÁVEL
Centro Coreográfico
Fundada em 1999 por Ana Figueira, ao longo de cerca de 10 anos a Instável deu-se a conhecer através dos projetos de Companhia: em cada ano, um coreógrafo conceituado seleciona bailarinos em audição e cria uma nova peça em residência, para depois estrear e circular tanto quanto possível. Com a mudança para o Teatro do Campo Alegre, em 2011, a Instável amplia e consolida o seu trabalho, dando início ao seu caráter de Centro Coreográfico.
Percursos pela Arquitetura / FAÍCC and FOCAR 2026 Classes
A site-specific approach that seeks to establish a dialogue with urban spaces through choreographic creation and the exploration of non-formal contexts for dance.
SLUMBER PARTY: HEARTBREAK EDITION / João Oliveira and Mariana Pontes Barbosa
SLUMBER PARTY: HEARTBREAK EDITION is a performance disguised both as a sleepover and a collective emotional purge.
It’s a Long Yesterday / Carminda Soares and Maria R. Soares
One or two bodies, six at most. It's a long yesterday is an exercise in desire, fracture and multiplication.
KOKORO / Ana Isabel Castro and Deeogo Oliveira
1. Hurt, Touched, Grievous, Sad, Plangent, Sensitive, Half Rotten, Broken; 2. Psychophysiological function that consists of experiencing a certain type of sensation; (...)
Apneia / Leo Calvino and Joana Couto
Normality returns quickly and sanity is not at risk, just turn the other way and snuggle back into your own soft and fragrant conceptions. How many layers does a dream have? Where does one person's dream end and another's dream begin? Where is the border between the real and the surreal?
Do Terreiro ao Mundo / New Creation by Clara Andermatt
Do Terreiro ao Mundo is a dance that traverses time. Its steps trace threads of faith, struggle, and craft. What begins in the churchyard extends beyond, carried in body and memory, forging new paths, becoming change, and a living force. It is here.
Songs of Ascension / Beatriz Moreira, Iris Auguste and Giulia Micelli
The game is played with your eyes closed to switch off the violence of unattainable ideals of beauty, representations and preconceived ways associated with femininity. Connecting with the authorship of their own body, the performers.