TAKE / New Creation by São Castro and António M Cabrita for Companhia Instável
When we think of sound, the first image is that of invisible waves traveling through the air, captured by our ears and interpreted by our brains. But beyond its auditory dimension, sound has weight, movement and strength. Sound has a story in itself and the body incessantly searches for a story.
Barro, Terra Molhada Onde a Bota Escorrega / Mafalda Deville
Memories and dreams resonate in the box of time, where the past and the future do not always succeed each other in that order. By water, by fire, by hands. The body, mutable matter, from the languid seduction to the catastrophe of the shard. Everything in black and red. As in roulette, bodies come into play.
KOKORO / Ana Isabel Castro and Deeogo Oliveira
1. Hurt, Touched, Grievous, Sad, Plangent, Sensitive, Half Rotten, Broken; 2. Psychophysiological function that consists of experiencing a certain type of sensation; (...)
Apneia / Leo Calvino and Joana Couto
Normality returns quickly and sanity is not at risk, just turn the other way and snuggle back into your own soft and fragrant conceptions. How many layers does a dream have? Where does one person's dream end and another's dream begin? Where is the border between the real and the surreal?
Simulacro / Carminda Soares e Margarida Montenÿ
"Simulacro" is an exercise in intimacy, repetition and resistance. Two bodies in continuous action explore the limits of their proximity through the degenerative nature of the gesture.
On stage, a character for two interpreters who invoke memories, fears and insecurities, in a deaf dialogue with each other. The inside and the outside, the fall and the jump, the private and the public, all wrapped up in lullabies. On stage, two bodies that never tire of trying. Two bodies that know that sometimes you have to relearn how to live, and even relearn how to breathe.
Songs of Ascension / Beatriz Moreira, Iris Auguste and Giulia Micelli
Partindo da ideia de transgressão, “Trespass” procura encontrar o chão comum e ao mesmo tempo a polaridade humana entre o “bem” e o “mal”, explorando formas de humanizar o demoníaco e visceralizar o Humano. Procura o conflito e a paz, a sedução e o grotesco, a perfeição e o erro.
Partindo da ideia de transgressão, “Trespass” procura encontrar o chão comum e ao mesmo tempo a polaridade humana entre o “bem” e o “mal”, explorando formas de humanizar o demoníaco e visceralizar o Humano. Procura o conflito e a paz, a sedução e o grotesco, a perfeição e o erro.