Rubble King / Duarte Valadares
Rubble King introduces a short attention span, an investigative creature of the archetype. An entity in a sandbox, a place of unlimited information, an excessively productive circuit looking for archetypes to feed on. Various states through shifting attention and dodging the conclusion, a rational ridicule.
Barro, Terra Molhada Onde a Bota Escorrega / Mafalda Deville
Memories and dreams resonate in the box of time, where the past and the future do not always succeed each other in that order. By water, by fire, by hands. The body, mutable matter, from the languid seduction to the catastrophe of the shard. Everything in black and red. As in roulette, bodies come into play.
Prima Rosa / Eríc Amorim dos Santos
Prima Rosa proposes an introspective and resistant journey, where the body becomes the vehicle for constant reinvention.
FINAL GIRL / Rina Marques e Rui Paixão
FINAL GIRL emerged from an invitation by dancer Rina Marques to clown and director Rui Paixão to direct a dance solo.
Do Terreiro ao Mundo / New Creation by Clara Andermatt
Do Terreiro ao Mundo is a dance that traverses time. Its steps trace threads of faith, struggle, and craft. What begins in the churchyard extends beyond, carried in body and memory, forging new paths, becoming change, and a living force. It is here.
FOCAR Online Auditions / Intensive Course in Choreography for Architecture
FOCAR – Intensive Course in Choreography for Architecture is a training program aimed at creators in the field of contemporary dance who are interested in exploring dance in informal, “unconventional”, public and private spaces.
It’s a Long Yesterday / Carminda Soares and Maria R. Soares
One or two bodies, six at most. It's a long yesterday is an exercise in desire, fracture and multiplication.
Krakatoa, emerges as the political need to scenically address a social occupation: breaking the public silence around suicide.
On stage, a character for two interpreters who invoke memories, fears and insecurities, in a deaf dialogue with each other. The inside and the outside, the fall and the jump, the private and the public, all wrapped up in lullabies. On stage, two bodies that never tire of trying. Two bodies that know that sometimes you have to relearn how to live, and even relearn how to breathe.
KOKORO / Ana Isabel Castro and Deeogo Oliveira
1. Hurt, Touched, Grievous, Sad, Plangent, Sensitive, Half Rotten, Broken; 2. Psychophysiological function that consists of experiencing a certain type of sensation; (...)