FAÍCC / Intensive Course in Interpretation and Choreography
FAÍCC is an intensive, dynamic and interdisciplinary training program, which takes place in the first semester of each year at Instável. It is aimed at performers and creators with solid foundations in contemporary dance who want to deepen their knowledge through a process oriented towards professionalization in the areas of interpretation and choreography.
Barro, Terra Molhada Onde a Bota Escorrega / Mafalda Deville
Memories and dreams resonate in the box of time, where the past and the future do not always succeed each other in that order. By water, by fire, by hands. The body, mutable matter, from the languid seduction to the catastrophe of the shard. Everything in black and red. As in roulette, bodies come into play.
TAKE / São Castro and António M Cabrita for Companhia Instável
When we think of sound, the first image is that of invisible waves traveling through the air, captured by our ears and interpreted by our brains. But beyond its auditory dimension, sound has weight, movement and strength. Sound has a story in itself and the body incessantly searches for a story.
Rubble King / Duarte Valadares
Rubble King introduces a short attention span, an investigative creature of the archetype. An entity in a sandbox, a place of unlimited information, an excessively productive circuit looking for archetypes to feed on. Various states through shifting attention and dodging the conclusion, a rational ridicule.
FOCAR / Intensive Course in Choreography for Architecture
FOCAR – Intensive Course in Choreography for Architecture is a training program aimed at creators in the field of contemporary dance who are interested in exploring dance in informal, “unconventional”, public and private spaces.
Algures | numa mutação feérica / Flávio Rodrigues
In A SENSE OF the audience is invited to co-create a space, where collective power and dreaming are used as modes of protest.
In A SENSE OF the audience is invited to co-create a space, where collective power and dreaming are used as modes of protest.