Tag Archives: Segunda Casa

#Segunda Casa

Ming the Clam and the Immortal Jellyfish / Ana Rita Xavier

This is the first piece in a trilogy around the questioning of the concepts of strangeness examined by Mark Fisher in The Weird and the Eerie. These are two terms that are difficult to translate into Portuguese: weird (strange) and eerie (unsettling).

VANISHING / Beatriz Valentim and Bruno Senude

Choreographing the invisible, destroy the cycles: now you see me, now you don't, you disappear inside me, I disappear inside you - you who are seeing me. We find in-between spaces: un-looking, un-formatting, projecting desires, nightmares, dust.

It’s a Long Yesterday / Carminda Soares and Maria R. Soares

One or two bodies, six at most. It's a long yesterday is an exercise in desire, fracture and multiplication.

Na ausência de Ternura / Juliana Fernandes and Victor Gomes

“The search for a line that finds us, an absence that once seemed tender to us and that today remains with us like the distorted trail of memory.”

A·Dentro / Mercedes Quijada

Partindo da ideia de transgressão, “Trespass” procura encontrar o chão comum e ao mesmo tempo a polaridade humana entre o “bem” e o “mal”, explorando formas de humanizar o demoníaco e visceralizar o Humano. Procura o conflito e a paz, a sedução e o grotesco, a perfeição e o erro.

BOWND / Catarina Campos and Melissa Sousa

BOWND focuses its research on movement from the universe of Boundaries (individual boundaries). Own, Bond (connection), Bound (limit and leap) are key words on a path towards the construction of the limits of the human being and towards a clearer awareness and expression of who we are and who we are not, discovered only in relationship with the other.

Dostoyevsky Made Me Do It / João Oliveira

Inspired by Fyodor Dostoyevsky's Notes from Underground, we observe a more physical adaptation of this intense man. João Oliveira, was the creator selected by the LAB 2 Aveiro jury to be part of the presentation cycle Palcos Insáveis Segunda Casa at Teatro Aveirense.

Je t'aime / Maria João Costa Espinho

“Je t’aime” is a piece that puts the empathetic body and the loving relationship in evidence. Dance as an exchange of energy between two bodies. A ritual as the end point of a relationship. A moment of catharsis for two. How to build and coexist without losing its natural and essential individuality?

What if... / Daniela Cruz

Rubble King introduz um curto período de atenção, uma criatura investigadora do arquétipo. Uma entidade numa sandbox, um local de informação ilimitada, um circuito excessivamente produtivo à procura de arquétipos com que se alimentar. Vários estados através da mudança de atenção e esquivando-se da conclusão, um ridículo racional.
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